This ongoing series documents Belgrade through the small, repetitive actions that shape daily life. The focus is on ordinary routines, peripheral spaces, and the everyday interactions people have with the city while waiting, working, resting, or negotiating space. I use basic film cameras and hand-process the rolls myself. The limitations of the method are appropriate: quick shooting, minimal control, and no staging. The roughness stays in the work and reflects the conditions under which these pictures are made.

This is only a small selection from a long-term effort to record Belgrade as it really looks and feels: its street corners, markets, leftover fragments of the Yugoslav aesthetic that persist in places where the city keeps building over itself. I’m trying to understand these contradictions: how a city is supposed to grow to serve people better, yet often fails; how we once built practically and beautifully, and now keep demolishing the old under the illusion that the new will be cleaner, better, more comfortable. It rarely is.